Brahms – Violin Concerto, Bartók- Violin Concerto No.1 – Janine Jansen – 2015
Quality：Hi-Res | FLAC | 96kHz/24bit
Genre：Classical
Year Of Release： 2016
Number：5
Total Time：
Total Size： 1GB
Label：Decca
“据我所知，布拉姆斯协奏曲和巴托克的第一首协奏曲以前从未在唱片上结合在一起，”Janine Jansen在为这张专辑录制时热情地说，“但在我看来，他们似乎是天生的一对。他们可能会说一种不同的音乐语言，但他们不仅有匈牙利的联系，而且还将交响乐的力量和室内规模的亲密感深刻地结合在一起。”
勃拉姆斯（和李斯特）的匈牙利灵感直接来源于19世纪的吉普赛乐队，他们活泼、诱人的舞曲给当时渴望轰动的观众带来了醉人的魅力。贝拉·巴托克的观点更为激进，他在学生时代热情地宣称“我的一生……我将有一个目标：匈牙利和匈牙利民族的利益”，他和他的朋友佐尔坦·科达利一起收集当地的匈牙利民歌和特兰西瓦尼亚民歌，在手稿上记录下来，并在原始的留声机上记录下来。随着时间的推移，匈牙利本土民间音乐的自然旋律轮廓和奇怪的节奏变化成为巴托克独特创作风格中不可分割的一部分。
“As far as I know, the Brahms Concerto and Bartók’s First have never been coupled together before on disc,” enthuses Janine Jansen during recording sessions for this album, “but to me they seem a natural pairing. They may speak a different kind of musical language, yet they not only share a Hungarian connection, but also a profound combination of symphonic power and chamber-scale intimacy.”
Brahms’s (and Liszt’s) Hungarian inspiration stemmed directly from nineteenth-century gypsy bands, whose racy, seductive dance music cast an intoxicating spell over the sensation-hungry audiences of the time. Béla Bartók took a more radical view, and having declared passionately during his student years “All my life … I shall have one objective: the good of Hungary and the Hungarian nation”, joined his friend Zoltán Kodály collecting native Hungarian and Transylvanian folksongs in the field, noting them down on manuscript and recording them on a primitive gramophone as they went along. As time went by, the natural melodic contours and quirky rhythmic inflections of indigenous Hungarian folk music became an indissoluble part of Bartók’s own unique creative style.
Brahms: Violin Concerto in D major, Op. 77
01. 1. Allegro non troppo
02. 2. Adagio
03. 3. Allegro giocoso, ma non troppo vivace – Poco più presto
Bartók: Violin Concerto No. 1, BB48a, Sz 36
04. 1. Andante sostenuto
05. 2. Allegro giocoso
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